This special section devoted to Chen Jingrong features selected translations of her poems from the 1930s to the 1980s.
Wang discusses his latest research projects, his first book, and his long-term engagement with the work of Walter Benjamin.
Read four of the eleven poems featured inside this issue of CLT.
How has the Internet transformed Chinese poetry today?
An Interview with Ban Wang
By Ping Zhu
Stanford Professor Ban Wang has written on a wide range of subjects from early Chinese modernism to contemporary literature and beyond. His work has had a strong influence on the field of modern Chinese literature. Here, in conversation with CLT Deputy Editor Ping Zhu, Wang discusses his latest research projects, his first book, The Sublime Figure of History, and his long-term engagement with the work of Walter Benjamin.
Ping Zhu: Professor Wang, first allow me to thank you on behalf of Chinese Literature Today for your willingness to take this interview with us. I hear that you have just returned from a research trip in Asia. Could you tell us a bit about your new research project?
Ban Wang: Thanks to generous support from National Chung Hsing University, I stayed at that campus for three months last year during my sabbatical in Taichung. I completed a book by writing new chapters and revising old papers. Tentatively entitled China in the World: Geopolitics, Aesthetics, and Visions of World Order, the book addresses the ways Chinese thinkers and writers have engaged and interacted with the international system of nation-states since the late nineteenth century. . .