Sound Designer
a. Required Materials
- 1) Sound plot from the script with the list of effects
2) All source material required (i.e. records from home, a f/x list from the CD library, etc.)
- 3) Final, edited tapes, mini discs or CDs
b. Designer and Shop Relations
- Sound Designers will be chosen by the Design/Tech faculty.
- Budget and equipment are limited; some alterations to the ideal may necessary. The earlier the specific equipment requests are made, the more likely the needs will be met.
- Directors and sound designers should meet at the beginning of the production process to discuss design approach, style, and equipment needs, as well as to review the script noting potential placement and contents of cues, including the taped or live music, taped or live effects, etc.
- Designers and the sound coordinator will set up a schedule of preliminary cue tapes for the director. From these tapes, the director approves (or disapproves) cues presented.
- The Audio Department will supervise all equipment set-ups and strikes.