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Few Oklahoma families have deeper
roots in the state than the family of Eugene Brady Adkins. His father,
Eugene Sloan Adkins, born in Chouteau, owned and ran Muskogee’s
Adkins Hay & Feed Co., which he established in 1917. His mother,
Bess Brady Adkins, was a member of the pioneer Brady family of Tulsa.
His grandfather, W. Tate Brady, who came to Indian Territory at
age 17, was one of Oklahoma’s most prominent early-day citizens
– a developer, entrepreneur and civic leader in Tulsa. Tate
Brady opened a mercantile store on Main Street in 1890, and in 1900,
built the famous Brady Hotel, Tulsa’s original first-class
hotel. The Brady home, where Eugene Adkins’ mother grew up,
was modeled after Robert E. Lee’s mansion and remains one
of Tulsa’s most impressive residences. The home is located
in Brady Heights, and residents raised funds during Oklahoma’s
Centennial year to place a monument at the entrance to the neighborhood
recognizing the “Tulsa Spirit,” a term coined by Tate
Brady.
Educated at St. John’s College in Annapolis, MD, and Santa
Fe, NM, Eugene earned a degree in art history at Dartmouth College
and a graduate degree in business at Stanford University, Palo Alto,
California. He served as an Ensign in the U.S. Navy during the Second
World War and was a member of the Society of the Children of the
Confederacy. During his early years, Gene spent the summers in Santa
Fe, where he acquired a strong interest in Southwestern history
and art. Gene was well versed in Western art and was considered
an authority on Western paintings and Native American pottery, baskets
and jewelry; the collection he amassed is evidence of his expertise.
The Adkins Collection is among the nation’s most important
private collections of works by the Taos artists as well as Native
American works of art. It totals more than 3,300 objects in a number
of categories, including 1,100 two-dimensional works, 370 pieces
of pottery, more than 1,600 examples of jewelry and silverwork,
and nearly 250 pieces of other Native arts.
In announcing the Fred Jones Jr. Museum of Art and Philbrook Museum
of Art’s joint stewardship of the collection, Ted M. Riseling,
chairman of the Adkins Foundation Board, said, “The Adkins
Foundation Board is extremely pleased with the proposal from the
University of Oklahoma and Philbrook Museum of Art. We are looking
forward to working with both institutions to provide a home for
this magnificent collection and are excited about the educational
opportunities the proposal provides. We feel very fortunate to share
this collection with the people of Oklahoma and the many visitors
who will be able to enjoy Mr. Adkins’ generosity.”
“The Eugene Adkins Collection further solidifies the Fred
Jones Jr. Museum of Art at OU as one of the leading university art
museums in the entire nation,” OU President David L. Boren
said. “It also means the university’s museum will have
a collection of work done by the master artists of the Taos art
colony which is unexcelled by any art museum in the country.”
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