Bulletin of the Comediantes
 
   
VOLUME 42
SUMMER 1990
NUMBER 1
CONTENTS
AUTHORS
ARTICLES
PAGES
   
Raymond Conlon.
“The Burlador and the Burlados: A Sinister Connection.”
5-22.
Phyllis Zatlin.
“Classical Spanish Drama on the Contemporary French Stage.”
23-33.
William R. Blue.
“Desire and the Supplement in La estatua de Prometeo.”
35-52.
Robert ter Horst.
“By Love Dispossessed: Comic Pharmacology in Calderón’s Antes que todo es mi dama.”
53-91.
Luis Caparrós Esperante.
«Un breve olor de corte para La noche de San Juan».
93-117.
L. Carl Johnson.
“Milking the Machine: The Aesthetics of Formula in Calderón.”
119-127.
Thomas E. Case.
“Metatheater and World View in Lope’s El divino africano.”
129-142.
Julio Baena.
«Tener voz y dar voces en una audiencia: Dos discursos procesales en Fuenteovejuna».
143-154.
   
 
REVIEWS
   
Michael G. Paulson.
The Queens' Encounter. The Mary Stuart Anachronism in Dramas by Diamante, Boursoult, Schiller and Donizetti. (Ann L. Mackenzie)
155-157.
John Loftis.
Renaissance Drama in England and Spain: Topical Allusion and History Plays. (Edward H. Friedman)
157-159.
David G. Burton.
The Legend of Bernardo del Carpio from Chronicle to Drama. (Randall W. Listerman)
160-161.
René Pedro Garay.
Gil Vicente and the Development of the Comedia. (Jack H. Parker)
161-163.
Anthony N. Zahareas, ed.
Plays and Playhouses in Imperial Decadence. (James A. Parr)
163-165.
   
John J. Allen.
EL MENTIDERO DE COMEDIANTES
167.
   
 
   
 
Bulletin of the Comediantes
 
   
VOLUME 42
WINTER 1990
NUMBER 2
CONTENTS
AUTHORS
ARTICLES
PAGES
   
Catherine Larson.
“Writing and Performance: Stage Directions and the Staging of Sor Juana’s Los empeños de una casa.”
179-198.
Diane Chaffee-Sorace.
“Animal Imagery in Lope de Vega’s Fuente Ovejuna.”
199-214.
   
 
REVIEWS
   
Pedro Calderón de la Barca.
Love is no Laughing Matter (No hay burlas con el amor). Trans. Don Cruickshank & Seán Page. (Vern G. Williamsen)
215-217.
William R. Blue.
Comedia: Art and History. (Edward H. Friedman)
217-218.
Lope de Vega.
Fuente Ovejuna. Trans. Victor Dixon. (Michael McGaha)
218-220.
Antonio Mira de Amescua.
The Devil’s Slave. Trans. Michael McGaha. (Matthew D. Stroud)
220-222.
Paul Julian Smith.
Writing in the Margin: Spanish Literature of the Golden Age. (Alison Weber)
222-224.
Thomas A. O’Connor.
Myth and Mythology in the Theatre of Pedro Calderón de la Barca. (A. Valbuena Briones).
225-227.
Everett W. Hesse, ed.
Approaches to Teaching Spanish Golden Age Drama. (Alix Ingber)
227-229.
J. E. Varey & N. D. Shergold.
Comedias en Madrid, 1603-1709. Repertorio y estudio bibliográfico. (Karl C. Gregg)
229-230.
Margarita Vázquez Estévez.
Comedias sueltas sin pie de imprenta en la Biblioteca del «Institut del Teatre». (Szilvia E. Szmuk)
230-232.
   
 
ANNUAL BIBLIOGRAPHY
   
Szilvia E. Szmuk & David J. Billick.
“Bibliography of Publications on the Comedia (1989-1990).”
233-310.
   
 
FIVE-YEAR CUMULATIVE INDEX TO THE COMEDIA BIBLIOGRAPHY
   
Szilvia E. Szmuk & David J. Billicks.
“Cumulative Index to the Comedia Bibliographies Volumes 38-42 // 1986-1990.”
311-346.