EIPT 6523
Spring 2005
| Instructor: Dr. Amy Bradshaw | Office: Collings 320B | Phone: 325-1530 | |
| e-mail: bradshaw@ou.edu | Hours: Tues. 1:30 - 3:00, & by appointment | ||
Course Overview &
Purpose
This course is grounded in conceptual and theoretical framworks of
instructional communication. A particular focus is the design
principles and theories that underpin effective visual and media
communication. During the course you will develop production skills
that will be important to your success in other courses and activities.
We can classify most of the projects we will work on in this course as
"micro" level, that is, individual components and skills that can be
used as building blocks. These micro level skills, when combined with
learning theory and instructional design, are used in the development
of "macro" level projects, such as instructional multimedia
programs and web based instruction projects. Success with mastering the
tools
included in this course should also increase your confidence and
ability
to acquire even more productivity skills in a field in which the
primary
tools constantly evolve.
Texts
Required:
Lohr, L.L. (2003). Creating
Graphics for Learning and Performance. Upper Saddle River,
N,J.: Merrill Prentice Hall.
Adobe (2002) Photoshop 7: Classroom in a Book. Berkley,
CA: Adobe Press (Peachpit Press).
Carlson, J. (2004). iMovie &
iDVD for Mac OSX. Berkely, CA: Peachpit Press.
Optional:
Joss, M.W. (1999). Looking Good in Presentations (3rd
ed.). Scottsdale: Coriolis.
Materials
For this course you will need:
1. Zip disks
2. Original and found Photographs, Sounds, and Video to be manipulated
(See Original materials below)
3. Three-Ring Binder for notes, handouts, project & portfolio
printouts, etc.
4. Intense amounts of time (many hours each week outside of class)
| Software to be Used
Adobe Photoshop |
Hardware to be Used
Macintosh Computers (Windows laptops welcome) |
Time. Several hours each week outside of class are necessary. The time required for this course may well exceed that other courses you have taken. If your work or personal schedule does not allow you to meet the intense time requirements for this class, you are advised not to take this course. On the other hand, this course will provide you with you the opportunity to acquire and refine skills that are not included (but which may be implicitly assumed) in other IPT production courses and that will serve you well in future media production endeavors.
A Word About Creativity
Sometimes people feel intimidated by their perceived lack of
creativity. While certainly beneficial, creativity is not as vital as
precision when
communicating ideas via media in an instructional context. Creativity
is
encouraged. Precision is expected. Both can be nurtured and increased.
Original Materials
Ideally, you will select and develop materials around a theme of your
choice, Although sticking to a theme is not absolutely necessary, doing
so should result in a more cohesive and coherent final portfolio. You
are
welcome to select a theme that serves a purpose beyond this course.
Layout & Design
You have the opportunity to explore, examine, acquire, and refine
knowledge and skills related to visual literacy and design.
Understanding several
concepts and principles is necessary to the development of highly
effective
visuals and media for instruction. You will be provided with an initial
list of concepts to explore and think about. This is only a starting
place;
you are expected to investigate and add to this list as the course
progresses.
Photos. During the first day or two of the course, look through your personal photo collections and identify photos to scan for some of the photo projects. Below are some ideas to get you started. (Don't spend too much time looking for photos; we have lots of resources available.)
Nice subject, poor background
Nice subject, less than ideal lighting
Nice "people" shot
Photo of yourself
Interesting inanimate object
Great background shot
Sounds. During this course you will use and manipulate both original sounds (e.g., you record yourself) and found sounds (e.g., from the internet, sound clip collections, CDs, etc.). During the first week, identify sounds that you have in your personal collection that fit your personality and/or that seem to fit the mood of images you have identified for use in the course. Select at least one sound or song that would be appropriate for use as a soundtrack for your digital portfolio.
Video. Time and equipment permitting, we will digitize clips from personal video cassettes. If you have a collection of original VHS video cassettes, identify a brief portion of an original video to be digitized.
Modes of Participation
Nearly all of the activities in this course center on individual projects. However, we will form 'support teams' to provide peer assistance and support throughout the course. You also will learn in teams about digital video recording and editing. Early in the semester, each team will meet with the instructor to learn how to use a Sony Digital Video Recorder. Team members will videotape each other so each person will have a short clip of themselves to manipulate. The team configurations should provide support, motivation, peer mentoring, and benevolent critiques throughout the various projects. You most certainly are encouraged to interact beyond your specific team and to share the tips and tricks you discover regarding the software used with others in the class.
Your attendance and participation are vital and impact each member
of
this class. Because class time is so limited, you are expected to be on
time
and attend every session.
During class, we will use Macintosh for all projects (if you have a
Windows-based laptop and the appropriate software, you may bring it to
class with you). Outside of class, you have the option to do individual
activities from school, home, or office, using either platform, if you
have the appropriate software programs. This course involves many
complex tools and processes, so we may not have time to explore sound
and video products for multiple platforms. However, I will provide you
with information regarding similar production tools for the Windows
environment, should you choose to pursue them during or following this
course.
Projects
Projects will be submitted in multiple forms. All projects should be
submitted via the Project Drop box in
"EIPT6523" on a designated COE server. In addition, final and major
components of each project should be
"saved for web" and displayed on a simple web page. These web pages
will serve
as the core of an online portfolio. (We will discuss this more in
class.)
Each assignment will be awarded points up to the maximum possible.
Projects will be evaluated
in terms of Overall Quality & Appeal, Technical Difficulty &
Execution, Usability, & Creativity.
| Assignment
Mini & Preparatory Projects Major Projects Design & Critique Test Lohr DAQs / Attendance & Participation Total Points
Possible |
Points 10 30 (5+10+5+10) 10 (5 +5) 20 (5+5+5+5) 15 (5+10) 10 20 25 15 25 50 40 (30+10) 40 40 (10+30) |
Activity Schedule
Assignments and readings are due at the beginning of class
on the dates on which they are listed.
| Wk. | Date | Topics & Activities | Reading / Assignment Due |
| 1 |
1-19 |
Introductions, Syllabus, Projects & Equipment, Scheduling Equipment Use, Support Groups, Finding a Theme, "Socrates," "Plato," & Internet resources, (Basic Web Pages?) |
Personal Profiles |
| 2
|
1-26
|
PS Activity: Image Correction PS Activity: Selections & Layers Lohr Discussion, Activity, or Quiz [Scanning & Digital Cameras] [Take Pictures with Digital Camera(s)] |
Lohr, Ch. 1 PS, Chs. 1, 2. 3, 4, & 5 |
| 3
|
2-2
|
Lohr D, A, or Q Visual Messages & Screen Design Sound Editing Basics & Activity |
Lohr, Chs. 2 & 3 PS, Chs. 6, 7, 8, & 9 Minis 2a, 2b (format, image series) Bring a favorite music CD |
| 4
|
2-9
|
Lohr D, A, or Q Text & Typography Basics PhotoShop In-class Activity: Buttons Procedure Writing |
Lohr, Ch. 4 & 5 PS, Chs. 10, 11, 12, & 13 Minis 2c (new background) Minis 4a, 4b (sounds: found, original) |
| 5
|
2-16 |
Lohr D, A, or Q [Color Wheel] Photo Rollovers Simple Animation |
Lohr, Chs. 6 & 7 PS Chs. 14, 15, 16 iMovie 1- 5 (52 pp) Mini 2d (collage) Minis 4c, 4d (sounds: CD, multisource) |
| 6 |
2-23 |
Lohr D, A, or Q Video Basics iMovie (& Premiere, etc.?) Scheduling Video Equipment |
Lohr, Ch. 8 & 9 PS, 17 & 18 iMovie 6-8 (42 pp) Minis 3a, 3b (animations) Major 1 (Instructional Visual Object) |
| 7 |
3-2 |
Lohr D, A, or Q Sony TRV-10 (digital video camera) iMovie / Premiere (video editing) |
Lohr, Ch. 10 iMovie 9-17 (82 pp) Mini 1 Check (Design Principles) Minis 5a, 5b (edited found vid, multisource vid w/added sound) |
| 8 |
3-9 |
Project Critiques Misc Video topics (lighting) |
Lohr, Chs. 11 & 12 iMovie 18-22 (63 pp) Major 2 (web set) |
| 9 |
3-16 |
Spring Break - No Class |
|
| 10 |
3-23 |
Screen Design Review
Digital Portfolios |
[Option to
submit Major 3 or 4] |
| 11 |
3-30 |
Design and Critique Test |
Major 4 (procedures) |
| 12 |
4-6 |
Work on Projects |
Major 3 (Color Wheel) Major 5 (presentation video dvd) |
| 13 |
4-13 |
Peer Feedback |
[draft of portfolio] |
| 14 |
4-20 |
(Work on Projects / Portfolios) |
Major 6 (demo
video w/snd) |
| 15 |
4-27 |
Individual work on portfolios |
|
| 16 |
5-4 |
Portfolio Presentations |
Major 7 (Portfolios)
|
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