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Strings

Doctor of Musical Arts in Strings

Major code: D735

Required Proficiencies

This degree requires the following proficiencies.

Contacts

To receive full consideration for admission and graduate assistantships, the application deadline is December 1. The School of Music cannot guarantee an audition, interview, admission, or graduate assistantship if application is received after the deadline.

Per Graduate College policy 8.2.1.1, "The student must be in residence at OU for at least two consecutive 16-week semesters during the pursuit of the doctoral degree while enrolled and engaged in coursework or research activities as prescribed by the major academic unit."

There is no separate application for assistantship. Unless the applicant indicates otherwise, we assume that all applicants are interested in being considered for assistantships. Please note that assistantships are usually awarded for the Fall and Spring semesters together. We very seldom have assistantships available for anyone entering in a Spring semester. We do not award assistantships for Summer sessions.

Applicants should submit the online application (see the Graduate Admissions page), along with all required materials described below.

Following submission of the online application, applicants who pass prescreening will work with the appropriate member of the string faculty (listed above) to schedule an audition. More information about the audition can be found at the bottom of this page.

These items must be submitted to the online graduate application system.

  • Resume/Curriculum Vitae (CV)
    • Submitted to the online application under the Supplemental Materials tab.
    • While style and format are free to vary, your document should include the following information:
      • Personal Contact Information
      • Education, including institutions attended and degrees earned (when applicable)
      • Employment history (including teaching experience for music education majors)
      • Noteworthy performances, conference presentations, or scholarly endeavors
      • Research publications, including thesis topics/titles, music compositions/arrangements, or other related scholarly work
      • Any academic/music honors, awards, or scholarships received 
  • Statement of Purpose
    • Submitted to the online application under the Supplemental Materials tab
    • The personal statement is intended to provide insight into the applicant’s desire to pursue a graduate degree in music. Applicants are expected to prepare and submit original work that reflects their own ideas, experiences, written communication skills. The use of generative artificial intelligence (Gen AI) tools to write, draft, substantially revise, paraphrase, or otherwise generate content is not permitted. Minimal use of assistive AI for grammar, spelling, etc. is allowable. By submitting the Statement of Purpose, applicants affirm that the work is their own, original, and complies with this policy. The program reserves the right to request clarification regarding submitted materials if concerns arise regarding authorship or originality.
    • Please compose a brief personal statement (approximately 2–3 pages of double-spaced, 12-point font text with 1-inch margins) regarding your desire to pursue a graduate degree in music. Include responses to the following prompts:
      1. How would you describe your professional path to this point?
      2. Why do you want to pursue this degree at OU?
      3. How do you want to grow musically, artistically, pedagogically, and/or intellectually during your graduate studies?
      4. What skills, expertise, and experiences do you bring to graduate study at OU?
      5. Describe your post-degree plans (i.e., How will you apply your newly acquired academic knowledge and expertise?).
  • Three letters of reference
    • Submitted to the online application under the Supplemental Materials tab
    • Your three reference letters should include:
      • At least one letter from: your studio professor, ensemble conductor, chamber coach, etc., or a person who has considerable knowledge about your abilities as a performer or composer.
      • At least one letter from: a person who can speak to your abilities as a scholar of music.

This degree requires you to submit a sample of your scholarly writing.

  • Submitted to the online application under the Supplemental Materials tab
  • The Scholarly Writing Sample is intended to provide insight into the applicant’s ability to synthesize, hypothesize, argue, etc. scholarly work/research in music through written discourse typical of a college-level manuscript. The use of generative artificial intelligence (Gen AI) tools to write, draft, substantially revise, paraphrase, or otherwise generate content is not permitted. Minimal use of assistive AI for grammar, spelling, etc. is allowable. By submitting the Statement of Purpose, applicants affirm that the work is their own, original, and complies with this policy. The program reserves the right to request clarification regarding submitted materials if concerns arise regarding authorship or originality.
  • The guidelines for this writing sample are as follows:
    1. Should represent your best writing and researching skills.
    2. Preferably not more than 3 years old; should be recently revised. If you do not have a recent scholarly writing sample on hand, we ask that you compose something original.
    3. Adhere to a consistent method of formatting and citations (e.g., Chicago, MLA, Turabian, APA) and include a bibliography/reference list.
    4. A minimum of 5 pages of double-spaced, 12-point font text (not counting bibliography) with typical 1-inch margins.
    5. Ensure your writing sample is representative of the field. Consider presenting a complete argument supporting a clear thesis, perhaps methodological in nature for empirical research, or other format reflective of various academic areas in music.
    6. Please contact the Graduate Music Office (gradmusic@ou.edu) or the area chair for your program with any questions about meeting these requirements.

The following prescreening items must be submitted to the Digital Portfolio section of the online application by December 1.

  • A repertoire list of significant solo, ensemble, and choral repertoire studied and performed to date.
  • A performance video of 15-20 minutes of music drawn from the audition requirements for your specific instrument. The prescreening recording should include at least 2 contrasting works. 

Following submission of the online application, applicants who pass prescreening will work with the appropriate member of the string faculty to schedule an on-campus audition. Although live, on-campus auditions are preferred, video recordings are acceptable. Video files or links to online video recordings may be submitted to the online application under Digital Portfolio.

With the approval of the applied teacher, a current master’s student at OU who plans to apply to the DMA program within twelve months of his/her planned graduation from the master’s program may use his/her MM degree recital as the DMA audition. The recital must meet DMA audition requirements. In order for a faculty committee to be organized to attend the recital to evaluate it for DMA application purposes, the student must inform all members of the string faculty at least one week before the recital.

Whether auditioning in person or by recording, applicants to the DMA are required to prepare an audition program of a minimum of 40 minutes of music. A personal interview with the faculty audition committee will form part of the audition.

  • The audition program must consist of at least 3 different works. (An individual movement from a standard concerto or sonata counts as a work).
  • A variety of contrasting periods and styles, chosen to demonstrate the applicant’s highest level of musicianship and technical proficiency must be presented.
  • At least one work must be performed from memory.
  • The audition program must include at least 3 different works, one of which must consist of a movement (or several movements) from a major standard concerto or sonata.
  • A variety of contrasting periods and styles, chosen to demonstrate the applicant’s highest level of musicianship and technical proficiency must be presented.
  • At least one work must be performed from memory.
  • First movement of a concerto from the standard repertoire (memorized)
  • Two contrasting movements from a Bach Solo Cello Suite (memorized)
  • An etude by Popper or Piatti
  • A work of the applicant’s choice (showpiece, modern composition, etc.)
  • First movement of a concerto from the standard repertoire
  • Two contrasting movements from a Bach Solo Cello Suite
  • Two or three contrasting orchestral excerpts
  • A work of the applicant’s choice (showpiece, modern composition, etc.)