OU Glee Club rehearses Mondays and Wednesdays from 2:00pm to 3:20pm. Rehearsals take place in Catlett Music Center Room 128 (Choir Room).
Formal auditions take place at the beginning of each semester. If you are interested in participating in OU Glee Club, complete the interest form linked below, and we will contact you with more information as auditions are approaching.
The legendary OU Glee Club traces its origins to the earliest days of the University of Oklahoma. Indeed, some of the first football games in the late 1890s were played in conjunction with the presentations by the oratorical society and performances by the Glee Club in the territorial capital of Guthrie. In 1903, the first dean of the College of Fine Arts, Gustaf Holmberg brought the Glee Club into the School of Music, transitioning the group from a student-led club to a faculty-led academic ensemble. As such, the OU Glee Club boasts itself as the oldest musical ensemble at OU, and most likely, in the State of Oklahoma. The OU Glee Club is comprised of both undergraduate and graduate students representing a wide variety of majors, through competitive audition. The Glee Club regularly performs traditional collegiate glee club repertoire, contemporary male choral works, and OU spirit songs at various events on and off campus including football and basketball games. In 2023, the Glee Club released an album of OU spirit songs for the first time since 1988. Fight for OKU: The Legendary OU Men’s Glee Club, is available on all streaming services such as Spotify and Apple Music. The Glee Club has performed across the USA and in Austria and The Republic of Ireland.
Glee Club in 1906 with Fredrik Holmberg (center front)
The OU Glee Club traces its origins to the earliest days of the University of Oklahoma. Records indicate glee club performances as early as 1895 and 1897. Some of the early performances were offered in conjunction with some of the first OU football games and presentations by the oratorical society. In 1903, the first dean of the College of Fine Arts, Gustaf Fredrik Holmberg (1872-1936), brought the The Glee Club into the School of Music, transitioning the group from a student-led club to a faculty-led academic ensemble. As such, the OU Glee Club boasts itself as the oldest musical ensemble at OU, and most likely, in the State of Oklahoma.
The Glee Club gained national recognition under the direction of Dr. Lara Hoggard (1915-2007) when the group performed at Carnegie Hall in Fred Waring’s “Pleasure Time” National Glee Club Competition on May 30, 1942. The Glee Club finished in the top three of the competition, but because the OU singers were so outstanding in choral artistry and musicianship, the judges, including John Finley Williamson, Deems Taylor, and Peter J. Wilhousky, awarded the choir with a silver trophy for “the finest example of choral art.” Robert Shaw, then conductor of the Waring Glee Club, was equally impressed with the quality of singing by the OU men, describing their music as the best he had ever heard from a nonprofessional group of singers. A New York Times critic wrote of their performance, “from a musical standpoint, none of the others could touch that group from Oklahoma University.” Fred Waring invited the OU Glee Club to remain in New York two additional days and presented them twice on his NBC radio show to 15 million listeners, announcing that, “The University of Oklahoma Glee Club won the unanimous vote of the judges for tone quality, intonation, blend and balance, and the highest expression of choral art.
Your music is simply beautiful. You men should know that in the preliminaries we listened to 140 recordings, over a period of three months, to determine which eighth should be invited to come to New York for the finals. All recordings were identified by a number, and that number was written on the outside of a sealed envelope containing the identity of the group. After the six judges had agreed upon the top eight recordings, only then did we take this information to Mr. Waring. The eight had been carefully given points on a scale. Mr. Waring asked for the identity of the group receiving the highest number of points. At that moment we opened the eight envelopes in consecutive order. And I think you men should know that the first envelope we opened revealed the top group to be the University of Oklahoma!
- Robert Shaw to the OU Glee Club
In February,1954 the Glee Club again appeared on national airwaves, performing on the CBS television show, The Ed Sullivan Show (episode #7.22). Ed Sullivan invited the Glee Club to perform again the next year, which they did in March, 1955 (episode #8.29) via remote transmission from Oklahoma City. Both performances were conducted by Mr. Chester Francis (1910-1996).
In August of 1964, the Glee Club again returned to New York City, this time performing at the New York World’s Fair under the direction of Dr. Russell Mathis (1926-2014). The Glee Club’s performing schedule included three daily performances: two at the Oklahoma Pavilion and one in the United States Pavilion.
After an extended period of only intermittent activity, the OU Glee Club was reactivated as a major ensemble within the School of Music with the appointment of current conductor, Dr. David Howard, Assoc. Director of Choral Activities. In addition to academic choral concerts, the OU Glee Club performs off-campus engagements, including annual performances in Dallas, Texas during the OU-Texas football game festivities. In 2023, the Glee Club released an album of OU spirit songs for the first time since 1988. Fight for OKU: The Legendary OU Men’s Glee Club, is available on all streaming services such as Spotify and Apple Music. In June, 2024, the OU Glee Club will join the OU Vox Lyrica for a performance tour of Ireland.
Gustaf Fredrik Holmberg (1903 - ?)
William G.F. Schmidt (1917)
Dr. Lara Hoggard (1940 - 1943)
Chester Francis (1946 - 1962)
Dr. Russell Mathis (1962 - 1976)
Dr. Steven Curtis (1988)
Dr. David Howard (2014 - present)
Here are some of the works the OU Glee Club has performed recently.
| Piece | Composer / Arranger | Year |
|---|---|---|
| After Many a Dusty Mile, Op. 45/3 | Elgar, Edward (1857-1934) | 2024-2025 |
| Cradle Song & Dance of the Gnomes, Op. 41 | MacDowell, Edward (1860-1908) | 2024-2025 |
| Death of the Ball Turret Gunner | Barnum, Eric William (b. 1979) | 2024-2025 |
| El Hambo | Mäntyjärvi, Jaakko (b. 1963) | 2024-2025 |
| Here Comes Santa Claus | Gene Autry and Oakley Haldeman (arr. Kirby Shaw) | 2024-2025 |
| Noël Nouvelet | Arr. Söderberg, Sofia (b. 1972) | 2024-2025 |
| Saltarelle, Op. 74 | Saint-Saëns, Camille (1835-1921) | 2024-2025 |
| Septemundos (Graecus: Greece/Battle) | Schmidt, Timothy (b. 2000) | 2024-2025 |
| Son of God Mass | Whitbourn, James (1963-2024) | 2024-2025 |
| Star of Wonder | Roche, Terre (b. 1953) | 2024-2025 |
| Stout-Hearted Vagabonds | Romberg, Sigmund (1887-1951 & Rudolf Friml (1879-1972) (arr. Schmidt) | 2024-2025 |
| Vespergesang (Adspice domine) | Mendelssohn, Felix (1809-1847) | 2024-2025 |
| Vive L’Amour | Parker/Shaw | 2024-2025 |
| Wana Baraka | arr. Kirchner, Shawn (b. 1970) | 2024-2025 |
| Yhinx: An Ancient Greek Love Chant | Betinis, Abbie (b. 1980) | 2024-2025 |
| Benedicamus Domino - Alleluia | Arr. Paul Royer | 2023-2024 |
| Death of the Ball Turret Gunner | Eric William Barnum (b. 1979) | 2023-2024 |
| Dirge for Two Veterans | Gustav Holst (1874-1934) | 2023-2024 |
| Exsultate, jubilate | Jenkins, Karl (b. 1944) | 2023-2024 |
| Flight Song | Arneson Kim André (b. 1980) | 2023-2024 |
| Hark! I Hear the Harps Eternal | arr. Alice Parker (b. 1925) | 2023-2024 |
| Laudate Dominum | Cobb, Nancy Hill (b. 1951) | 2023-2024 |
| Messe de Requiem, Op. 48 | Fauré, Gabriel (1845-1924) | 2023-2024 |
| My God is a Rock | arr. Ken Berg (b. 1955) | 2023-2024 |
| Quando penso | Vecchi, Orazio (1550-1605) | 2023-2024 |
| Symphony No. 2 | Gustav Mahler (1860-1911) | 2023-2024 |
| The First Nowell | Vaughan Williams,Ralph (1872-1958) | 2023-2024 |
| The Rumor of a Secret King | Mackey, John (b. 1973) | 2023-2024 |
| The Trumpet Sounds Within-a My Soul | Coleman, Ian David (b. 1968) | 2023-2024 |
| There Will Be Rest | Ticheli, Frank (b. 1958) | 2023-2024 |
| Wearin’ of the Green | arr. Alice Parker (b. 1925) | 2023-2024 |
| What Shall We Do With The Drunken Sailor | Parker (b. 1925)/Shaw (1916-1999) | 2023-2024 |
| Zur Namensfeier des Vaters, D80 | Franz Schubert (1797-1828) | 2023-2024 |
| Ave Maria | Franz Biebl (b. 1906-2001) | 2022-2023 |
| Dark Night of the Soul | Ola Gjeilo (b. 1978) | 2022-2023 |
| For the Beauty of the Earth | Philip Stopford (b. 1977) | 2022-2023 |
| Inscription of Hope | Z. Randall Stroope (b. 1953) | 2022-2023 |
| Last Kind Words | Paul John Rudoi (b. 1985) | 2022-2023 |
| Litaniae Laurentanae, K. 109 | W.A. Mozart (1756-1791) | 2022-2023 |
| Lorilaul from Meestelaulud | Veljo Tormis (b. 1930) | 2022-2023 |
| Mondenschein, D.875 | Franz Schubert (1797-1828) | 2022-2023 |
| Nänie, Op. 82 | Johannes Brahms (1833-1897) | 2022-2023 |
| O Danny Boy | Jamey Ray (b. 1984) | 2022-2023 |
| People, Look East | Arr. Craig Courtney (b. 1954) | 2022-2023 |
| Selig sind reines Herzens sind | Woldemar Voullaire (1825-1902) | 2022-2023 |
| Sing Noel | Alfred Sturgis (b. 1960) | 2022-2023 |
| Tantsulaul from Meestelaulud | Veljo Tormis (b. 1930) | 2022-2023 |
| Teomehe-laul from Meestelaulud | Veljo Tormis (b. 1930) | 2022-2023 |
| The Parting Glass | Sarah Quartel (b. 1982) | 2022-2023 |
| There’s A Meeting Here Tonight | arr. Cantus/ed. Reinwald & Takach | 2022-2023 |
| Alleluia | Reginald Unterseher (b. 1966) | 2021-2022 |
| Crossing the Bar from Love Was My Lord and King! | Gwyneth Walker (b. 1947) | 2021-2022 |
| Echoes from The Greatest of These | Daniel Elder (b. 1986) | 2021-2022 |
| Ezekiel | arr. Stacey V. Gibbs (b. 1962) | 2021-2022 |
| Flight from The Greatest of These | Daniel Elder (b. 1986) | 2021-2022 |
| I Was Glad | Hubert Hastings Parry (1848-1918) | 2021-2022 |
| Iya Mi | Jude Nwankwo (b. 1982) | 2021-2022 |
| Light Beyond Shadow | Dan Forrest (b. 1978) | 2021-2022 |
| Noël Nouvelet | arr. Sofia Söderberg (b. 1972) | 2021-2022 |
| Psalm 90 | Charles Ives (1874-1954) | 2021-2022 |
| Still, Still, Still | arr. Norman Luboff (1917-1937) | 2021-2022 |
| This Train | Fenno Heath (1926-2008) | 2021-2022 |
| Ubi Caritas | Ola Gjeilo (b. 1978) | 2021-2022 |
| Unseen from The Greatest of These | Daniel Elder (b. 1986) | 2021-2022 |
| Widerspruch | Franz Schubert (1797-1828) | 2021-2022 |
| Zadok the Priest, HWV 258 | G. F. Handel (1685-1789) | 2021-2022 |
| Chichester Psalms | Leonard Bernstein (1918-1990) | 2020-2021 |
| Dance of the Sugar Plum Fairy | Tchaikovsky - arr. Jeff Funk (b. 1971) | 2020-2021 |
| Down Among the Dead Men | Ralph Vaughan Williams (1872-1958) | 2020-2021 |
| Hol' You Han' | arr. Paul Rardin (b. 1966) | 2020-2021 |
| Loch Lomond | Jonathan Quick (b. 1970) | 2020-2021 |
| Quelques mesure de Chant Funèbres | Gioachino Rossini (1792-1868) | 2020-2021 |
| Rejoice in the Lamb, Op. 30 | Benjamin Britten (1913-1976) | 2020-2021 |
| Silent Night | Mack Wilberg (b. 1955) | 2020-2021 |
| Testament of Freedom | Randall Thompson (1899-1984) | 2020-2021 |
| The Fear of the Lord | Timothy Schmidt (b. 2000) | 2020-2021 |
| The Morning Trumpet | Mack Wilberg (b. 1955) | 2020-2021 |
| Undendliche Freude, D.51 | Franz Schubert (1797-1828) | 2020-2021 |
| Wade in the Water | arr. Moses Hogan (1957-2003) | 2020-2021 |
| Amo Amas I Love a Lass | arr. M. Bartholomew (1885-1978) | 2019-2020 |
| Daphnens einziger Fehler, Hob XXVb:2 | F.J. Haydn (1732-1809) | 2019-2020 |
| Dúlamán | Michael McGlynn (b. 1964) | 2019-2020 |
| I Am on the Battlefield for My Lord | arr. Robert L. Jefferson | 2019-2020 |
| In the Bleak Mid-winter | Gustav Holst (1874-1934), arr. Robison | 2019-2020 |
| Lullabye (Goodnight my angel) | Billy Joel (arr. Lawson) | 2019-2020 |
| Nelly Bly | Stephen Foster (1826-1864) | 2019-2020 |
| Old Joe Clark | arr. Dwight Bigler (b. 1973) | 2019-2020 |
| Red River Valley | arr. Leonard Enns (b. 1948) | 2019-2020 |
| Shepherds Shake off Your Drowsy Sleep | Robert Scholz | 2019-2020 |
| Symphony No. 9 in D minor, Op. 125 | Ludwig van Beethoven (1770-1827) | 2019-2020 |
| The Cry of Jeremiah | Rosephanye Powell (b. 1962) | 2019-2020 |
| The Rumor of a Secret King | John Mackey (b. 1973) | 2019-2020 |
| Thou Didst Delight My Eyes | Gerald Finzi (1901-1956) | 2019-2020 |
| Two Indian Chants, Op 42, Nbr. 1 | Jack Frederick Kilpatrick (1915-1967) | 2019-2020 |
| Whup Jamboree | arr. Alice Parker (b. 1925) | 2019-2020 |
| A-Roving | Parker (b. 1925)/Shaw (1916-1999) | 2018-2019 |
| Brothers Sing On! | Edvard Grieg (1843-1907) (arr. McKinney) | 2018-2019 |
| Brown Eyes (I’ve Lost My Heart to You) | arr. Nan Trammell Herring (1907-1996) | 2018-2019 |
| Drawn to the Light | James Oliverio (b. 1956) | 2018-2019 |
| Ein deutsches Requiem, Op. 45 | Johannes Brahms (1833-1897) | 2018-2019 |
| Git on Board | arr. Wendell Whallum (1931-1987) | 2018-2019 |
| Non turbetur cor vestrum | Lodovico Viadana (c.1560-1627) | 2018-2019 |
| Tarantella | Randall Thompson (1899-1984) | 2018-2019 |
| There Is Faint Music | Dan Forrest (b. 1978) | 2018-2019 |
| Yonder Come Day | Craig Carnahan (b. 1951) | 2018-2019 |
| Zwei geistliche Chöre, Op. 115 | Felix Mendelssohn (1809-1847) | 2018-2019 |
| “Antiphon” from Five Mystical Songs | Ralph Vaughan Williams (1872-1958) | 2017-2018 |
| Carols of the Night | arr. Craig Courtney (b. 1954) | 2017-2018 |
| Ein jungendlicher Maienschwung | Franz Schubert (1797-1828) | 2017-2018 |
| Kyrie | Piotr Jańczak (b. 1972) | 2017-2018 |
| Love Songs | Matthew Harris (b. 1956) | 2017-2018 |
| Noel | arr. Brad Holmes (b. 1956) | 2017-2018 |
| Omne Genu Flecetur | Benjamin Huddleston (b 1996) | 2017-2018 |
| Poor Man Lazrus | Jester Hairston (1901-2000) | 2017-2018 |
| Stopping By Woods on a Snowy Evening | Randall Thompson (1899-1984) | 2017-2018 |
| Symphony of Psalms | Igor Stravinsky (1882-1971) | 2017-2018 |
| Tantum ergo | Gioachino Rossini (1792-1868) | 2017-2018 |
| Vive L’Amore | Parker (b. 1925)/Shaw (1916-1999) | 2017-2018 |
| Willkommen, lieber schöner Mai | Franz Schubert (1797-1828) | 2017-2018 |
| “Prayer” from Lohengrin | Richard Wagner (1813-1883) arr. Mead | 2016-2017 |
| An die Frauen | F.J. Haydn (1732-1809) | 2016-2017 |
| Blue Tail Fly | arr. Dwight Bigler (b. 1973) | 2016-2017 |
| Deep Field | Eric Whitacre (b. 1970) | 2016-2017 |
| Down in the Valley | arr. George Mead (1902-1996) | 2016-2017 |
| Fum, Fum, Fum | Howard Helvey (b. 1968) | 2016-2017 |
| Gloria | Randol Alan Bass (b. 1953) | 2016-2017 |
| Have Ye Not Known/Ye Shall Have a Song | Randall Thompson (1899-1984) | 2016-2017 |
| Jesu dulcis memoria | Connor Koppin (b 1991) | 2016-2017 |
| Johnny Schmoker | arr. James Rodde (b. 1951) | 2016-2017 |
| Little Innocent Lamb | arr. M. Bartholomew (1885-1978) | 2016-2017 |
| Meeste laul from Meestelaulud | Veljo Tormis (b. 1930) | 2016-2017 |
| Missa Sancti Bernardi von Offida (Heiligmesse) | F.J. Haydn (1732-1809) | 2016-2017 |
| Sérénade d’hiver | Camille Saint-Saëns (1835-1921) | 2016-2017 |
| Sicut cervus | G.P. da Palestrina (1525-1594) | 2016-2017 |
| Tantsulaul from Meestelaulud | Veljo Tormis (b. 1930) | 2016-2017 |
| Türgi sõja laul from Meestelaulud | Veljo Tormis (b. 1930) | 2016-2017 |
| You’ll Never Know the Good Fellow I’ve Been | Jack Coogan | 2016-2017 |
| Cantate Domino | Hans Leo Hassler (1564-1612) | 2015-2016 |
| Carmina Burana | Carl Orff (1895-1982) | 2015-2016 |
| Glorious Apollo | Samuel Webbe (1740-1816) | 2015-2016 |
| Kpanlongo | arr. Derek Bremel (b. 1967) | 2015-2016 |
| Suo Gân | arr. Lawrence Wiliford (b. 1977) | 2015-2016 |
| The Little Green Lane | Samuel Ernest Lovatt (1877-1954) | 2015-2016 |
| Western Songs | arr. Roger Wagner (1914-1992) | 2015-2016 |
| “Hallelujah” from Mount of Olives | Ludwig van Beethoven (1770-1827) | 2014-2015 |
| Beautiful Savior | arr. F. Melius Christiansen (1871-1955) | 2014-2015 |
| Carmen | Georges Bizet (1838-1875) | 2014-2015 |
| Choral Fantasy in C minor, Op. 80 | Ludwig van Beethoven (1770-1827) | 2014-2015 |
| Cпасение coдeлaл (Spaseniye sodelal) | Pavel Chesnokov (1877-1944) | 2014-2015 |
| Deck the Halls in 7/8 | arr. McKelvy (1917-2003), Bohn (b. 1965) | 2014-2015 |
| Die Jahreszeiten | F.J. Haydn (1732-1809) | 2014-2015 |
| In Dulci Jubilo | Gerald Custer (b. 1953) | 2014-2015 |
| Nachtgesang in Walde D. 913 | Franz Schubert (1797-1828) | 2014-2015 |
| Nachthelle D. 892 | Franz Schubert (1797-1828) | 2014-2015 |
| Polovtsian Dances from Prince Igor | Alexander Borodin (1833-1887) | 2014-2015 |
| Salmo 150 | Ernani Aguiar (b. 1950) | 2014-2015 |
| Silent Night | Mack Wilberg (b. 1955) | 2014-2015 |
| The Long Day Closes | Arthur Sullivan (1842-1900) | 2014-2015 |
| What Shall We Do With The Drunken Sailor | Parker (b. 1925)/Shaw (1916-1999) | 2014-2015 |
| Witness | arr. Jack Halloran and Dick Bolks | 2014-2015 |