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Auditions

Auditions

All students in the university are invited to audition for the OU Symphony. All musicians audition at the beginning of the fall semester, and wind and percussion players audition again before the start of the spring semester.

Fall 2026 - Spring 2027 Auditions

Civic Orchestra

The OU Civic Orchestra is a non-audition ensemble which rehearses once a week and performs one concert each semester. For more information, see the Civic Orchestra Webpage.

Close up of bassoonists from OU Symphony Orchestra.

Winds and Percussion

Winds and Percussion take one audition each semester that determines placement in all Concert Bands and Symphony Orchestra. Winds and Percussion should visit the OU Bands Audition Page to register and download audition materials. Audition materials and registration for winds and percussion will be available in mid July.

Strings

String auditions are held once per academic year, during the first three days of the fall semester. Sign-up sheets will be posted outside the orchestra room during the week before the semester begins. Audition materials for strings will be available mid July. String players entering the university in a Spring semester may contact Dr. Jonathan Shames at jshames@ou.edu to arrange an audition.

String auditions for Fall 2026 / Spring 2027 will take place at the following times and locations:

Violas:
Monday, August 24, 1:30pm - 3:00pm
Orchestra Room, Catlett 124

Cellos:
Tuesday, August 25, 9:30am -11:00am
Sharp Hall stage (enter through stage right door)

Basses
Tuesday, August 25, 11:00am - 12:00pm
Sharp Hall stage (enter through stage right door)

Violins
Wednesday, August 26, 1:30pm -3:00pm
Orchestra Room, Catlett 124

Sign-up sheets will be posted on the orchestra bulletin board outside CMC 124.

Make sure to present yourself to the proctor at least 10 minutes before your audition. On Monday and Wednesday, this person will be next to the orchestra bulletin board outside CMC 124; on Tuesday, outside the stage right door in the backstage area of Sharp Hall.

String Audition Excerpts

See below for the excerpts and solo requirements for your instrument.

A word about preparing these excerpts: The metronome markings represent common performance practice, and are given to help you get to know the works they come from, but you should not feel compelled to adhere to them. You can certainly modify them within a range of 10-15 metronome marks in either direction. The important things to focus on are not exact metronome adherence but rather a vivid sense of the music and (this is part of that vivid sense) strong rhythm - no rushing or dragging, and a vital feeling of pulse.

If the excerpt is unfamiliar to you (and even if it isn’t) find a recording and a full score to supplement your orchestral part, so that you can study and understand what else is going on in the orchestra at the moment of the excerpt. Scores are available online on the IMSLP website, and YouTube will provide many recordings to choose from.

A useful way to practice would be to arrange a certain number of mock auditions for yourself after you’ve learned the excerpts. Ask friends or family to listen to you as judges, or record yourself playing. This sort of work will help you a great deal in getting ready for your audition.

Please remember that the auditions are our way of getting to know you. We understand the challenges they bring your way, but try to prepare and play them with joy and beauty. We’re looking forward very much to hearing you.

If you have any questions about the excerpts or how to prepare for your audition, please contact Dr. Shames at jshames@ou.edu.

1. Solo of your choice- 1 minute

2. STRAUSS: Die Fledermaus Overture

  • PDF link
  • NOTE: for both pages 1 and 4, these metronome marks are guides- the music is to be played as one ongoing piece, not several different excerpts.
  • Page 1:
    • Allegro vivace, M. 1-12 half-note=126
    • Allegretto, m. 13-32 half-note=76
    • Allegretto, m. 47-120 quarter-note=84 appx.- some rubato can be used
  • Page 4:
    • M. 355-381 appx. half-note=126
    • M. 382-387 accelerando to M. 388-end half-note=138-140 (fast but controlled)

3. BEETHOVEN: Symphony No. 3, 3rd movement

  • PDF link
  • Scherzo, beginning on page 14, m. 1-127, dotted half=110

4. BRAHMS: Symphony No. 3

  • PDF link
  • First movement, Allegro con brio, m. 1-letter B, dotted-half=54-56- choose a tempo that allows you to feel the quarter notes together with the feeling of the dotted-half note, two-in-a-bar swing.
  • Last movement, page 13: rehearsal L to rehearsal N, half-note=80 appx.- play top line in divisi

No solo work required

1. BEETHOVEN: Symphony No. 3 "Eroica", Mvt. IV - mm. 133-177 (from 25 bars after A to one bar after B)

  • PDF link
  • Recommended tempo = 112/quarter-note

2. RAVEL: Daphnis and Chloe Suite No. 2, Figure 158 to one bar after Figure 162 (upper divisi only)

  • PDF link
  • Recommended tempo = 54/quarter-note

3. SMETANA: Vltava (The Moldau), mm. 239-271 inclusive (from 11 bars after G to one bar after H)

  • PDF link
  • Recommended tempo = 66/dotted quarter-note

4. BRAHMS: Symphony No. 3, four excerpts

  • PDF link
  • Mvt. I - mm. 40-44 (from 4 bars before Figure C to Figure C), dotted half=50
  • Mvt. I - mm. 187-205 (from Figure L to 5 bars after Figure M), dotted half=54
  • Mvt. IV - mm. 150-181 (from one bar after Figure I to 10 bars after Figure K), half-note/80 appx.
  • Mvt. IV - mm. 252-257 (from 7 bars after Figure N to 4 bars before Figure O), half-note=80

1. Solo of your choice- 1 minute

2. BRAHMS Symphony No. 3

  • PDF link
  • Movement 3, Poco allegretto, page 8: Opening: mm. 1-39, eighth note=108 appx.

3. BEETHOVEN Symphony No. 5

  • PDF link
  • Movement 2: Tempo should be eighth note=92 throughout all three of these excerpts:
    • m. 1-10
    • upbeat to m. 50-59
    • upbeat to m. 99-106

4. MOZART Symphony No. 35

  • PDF link
  • Movement 3, p. 6: mm. 134-197

1. Solo of your choice- 1 minute

2. BRAHMS Symphony No. 3

  • PDF link
  • 1st mvmt: pick-up to 63 – Downbeat of letter E (take 2nd ending), dotted half=56
  • 1st mvmt: Letter H – downbeat of m. 120, quarter=120
  • 4th mvmt: Beginning – downbeat of letter A, half-note=80 appx.

3. MOZART Symphony No. 40

  • PDF link
  • 1st mvmt – m. 198 – m. 210, half-note=110
  • 1st mvmt. – pick-up to m. 277 through m. 284, half-note=110

4. BEETHOVEN Symphony No. 9

  • PDF link
  • P. 16, 4th mvmt recitative and theme, upbeat to m. 9-115
  • Tempos
    • m. 9-29: quarter=120
    • M. 30-38: quarter=88
    • All tempo 1 sections: quarter=120
    • Allegro assai: half-note=80
    • Try to feel the flow in and out of these tempos, even though they change, and play this entire page as if it is one piece of music- which it is, of course!