Emily Burns
Associate Professor, Visual Arts
Director, Charles M. Russell Center for the Study of the Art of the American West
Performing Innocence: U.S. Art and Culture in fin-de-siécle Paris
Dr. Emily Burns’ book project “Performing Innocence” traces an intellectual and visual history of pervasive constructions of U.S. innocence —a visual and verbal culture of naïveté—which many expatriate U.S. artists and writers markedly projected in Paris during the late nineteenth century. While thousands of artists went abroad after the Civil War to mature artistically, the majority performed a studied and self-conscious cultural immaturity that pandered to European expectations that the United States lacked history, tradition, and culture. Through analysis of art, visual and material culture, letters, diaries and print materials, Dr. Burns argues that many of the U.S. Americans who traveled to Paris performed a paradox: knowing innocence. Perpetuating this trope in international settings, many Americans traded in nationalist and racialized codes that affirmed dominant narratives of U.S. society as centered in white, Anglo-Saxon identity but that also circulated constant contradictions.